Cinematic 3D animation that turns premium objects into desire - obsessing over material, light, and the micro-details that make luxury feel real.
A small, deliberate body of self-initiated studies - each one a meditation on how a single material behaves under light.
A close study of premium titanium - every micro-bevel, every roll of light across the card's edge, rendered to feel touchable.
Enter the workSelf-initiated films exploring the materials behind products I admire. No brief - just craft, light and patience.
A reverence for titanium. The whole film lives in the micro-detail of the card - brushed grain, machined edges, the cold weight of the material - choreographed entirely through light as it travels across the surface.
View the studyThe ceramic line exists for its colour, so colour leads. Soft pastels are brought forward against a quiet set - gentle gradients, diffuse light and matte surfaces that let each hue breathe and shift as the ring turns.
View the studyA film built around reflection. The mirror card becomes a stage for its surroundings - chrome catching colour, the environment folding into the surface - every frame composed so the reflection itself does the storytelling.
View the study
I'm a 3D motion designer fixated on the quiet drama of premium objects - the way light rolls across titanium, how a pastel surface holds a shadow.
My work sits where industrial design meets cinematography. I model, light, texture and animate each piece in-house, treating a product film less like an advert and more like a portrait - patient, considered, and obsessed with material truth.
These three studies are self-initiated: a way to push my craft against products whose materials I find irresistible. Every frame is a chance to make something cold feel covetable.
From a single hero film to a full library of social loops - all crafted with the same obsession over material and light.
Cinematic hero animations that present a product at its most desirable - concept, choreography and finish, start to end.
Material and lighting studies that nail how a surface should feel before a single frame of animation is rendered.
Short, endlessly-watchable loops cut for social - the kind that stop a thumb mid-scroll.
Styleframes, mood and a coherent visual language for a launch - so every asset feels of a piece.
Have a product worth obsessing over? Tell me about it. I take on a small number of commissions each season.